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The Hidden Patterns in How We Collect Art

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Did you know there are patterns in the way you collect art? You may not be consciously aware of them—I’m not sure I am either—but they are there. While there are certainly people in the art world who would love to analyze what drives our purchasing decisions, I sometimes wonder whether it’s more important, and perhaps safer, for us to understand those patterns ourselves.


Art collecting is shaped by far more than the galleries we visit or the communities we move within. It is deeply influenced by personality, memory, emotion, and psychological motivation.


Last week, we talked about how emotional responses often guide our attraction to art. That may explain why a particular work can linger in our thoughts long after we’ve seen it. This is very different from most consumer purchases. I might admire a table lamp, but any identical lamp would satisfy the same need. Art doesn’t work that way. It is singular and nontransferable. Its appeal lies not only in measurable qualities—color, scale, medium—but in intangibles such as symbolism, memory, and association. These are deeply personal, and they make every art purchase uniquely subjective.


This subjectivity can create anxiety for collectors, especially those who have spent a lifetime building a collection. I often speak with collectors who worry that their children have little interest in inheriting their art. The idea that a life’s passion could one day be reduced to a garage sale or, worse, discarded altogether, is understandably unsettling.


But what if the issue isn’t the art itself, but the absence of its story? What if we could articulate why we collect, how the works relate to one another, and what values or experiences shaped those choices? Understanding our motivations allows us to communicate the narrative of our collections—one that can outlive us and be meaningful to others.


For those of us who don’t spend much time analyzing our own psychology, a practical approach might be to start with the art we already own. Create a file for each piece—digital or physical. Include provenance, where and when you acquired it, what drew you to it, and how you felt at the time. Note how it connects to other works in your collection, and how you feel about it now.


Then step away. When you return to those files later, patterns will begin to emerge. You may notice a recurring sense of nostalgia, a spiritual undercurrent, or an attraction to boundary-pushing work. Once you see those themes, share them. Allow others to understand your collection as you do. After all, that act of interpretation mirrors what the artist did in creating the work. In this way, your collection becomes a creative expression in its own right.


Art is not consumed like other luxury goods. Consumer products offer utility or comparative value; art does not. Its worth is rooted in the artist’s worldview and the symbolic or emotional value the collector derives from ownership. Sometimes that value is joy or inspiration. Sometimes it is status, identity, or belonging. When we collect art, we are also constructing versions of ourselves—placing ourselves within, or intentionally outside of, certain cultural and social circles.


Not all collectors seek community or recognition. Some prefer a deeply private relationship with their collections, and that, too, is valid. Knowing this about yourself can be liberating. It allows you to disengage from the noise of the art world without guilt. Artists like Henry Darger and Vivian Maier created extraordinary bodies of work without any intention of public recognition, yet their art resonates powerfully today.


An art collection is not an assortment of unrelated objects. It is a single body of work. In my former life as a librarian, I learned that what gives a collection meaning is not the individual items, but how they function together. Libraries have collection development policies—clear statements of purpose and intent. Most art collectors do not, and that’s perfectly fine. But knowing your “why” can deepen both your enjoyment of your collection and its ability to be understood by others.


We may all appreciate the beauty of a flower, but a garden is never accidental. It is intentional, tended, and shaped over time. An art collection is much the same—and it brings as much joy to the person who cultivates it as to those invited to walk its paths.


John Bishop Fine Art is an art business run by visual artist John Bishop. John is based in Houston and is an abstract painter and illustrator, a blogger, a vlogger, podcaster, and creative writer. He has authored several children's zines and books, as well as co authored books on photography, and art business themes. He maintains a studio at Silver Street Studios in Houston. John posts a weekly blog/vlog/podcast that creates a community, a conversation, between creatives in all sorts of fields at all sorts of levels.  He wants to discuss what he's learning, what he's experienced, and whom he's met in his journey of running a freelance creative business. John's art explores how to turn mythic, archetypal symbols into individual experiences allowing us to see them in a new way, with fresh eyes. Join the conversation, the community, and share the journey together.



 
 
 

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Welcome to the John Bishop Fine Arts painter portfolio. With every artwork that I create, I attempt to connect, to bind disparate elements together into new vocabularies, new stories, that are both fresh and archetypal at the same time.  I paint, photograph, and write about what I feel, not so much what I see.  Don't look to my art for history, but rather for a glimpse into my own emotion, my own symbols, my own stories.  Hopefully, you will recognize your story there too, and my art can become your art as well. ​

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